Final Straw | ||||
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Studio album by Snow Patrol | ||||
Released | 4 August 2003 (UK, Ireland) 2 February 2004 (UK re-release) 30 March 2004 (US)[1] |
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Recorded | February 2003 at Britannia Row Studios | |||
Genre | Alternative rock, indie rock, power pop | |||
Length | 44:00 | |||
Label | Fiction (UK) A&M (US) |
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Producer | Jacknife Lee | |||
Snow Patrol chronology | ||||
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Singles from Final Straw | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [2] |
Blender | [3] |
Entertainment.ie | [4] |
Entertainment Weekly | (favourable)[5] |
Pitchfork Media | (6.7/10)[6] |
PopMatters | (unfavorable)[7] |
Q | [8] |
Rolling Stone | [9] |
Sunday Tribune | (favorable)[10] |
Uncut | [11] |
Final Straw is the third album by Snow Patrol, released in the United Kingdom and the Republic of Ireland in 2003 and in the United States in 2004. The album is notable for bringing the band their first mainstream success outside of their native countries of Northern Ireland and Scotland.
The album was re-released in the UK in 2004 with two extra tracks,[12] before being exported to the U.S. (without the bonus tracks). The album was also released on SACD and DualDisc with 5.1 Surround mixes.[13]
Contents |
The band's A&R Jim Chancellor explained the reasons for choosing rock producer Jacknife Lee to oversee the record by saying, "I wanted a record for them that was bigger and bolder and a lot different than their previous records. I wanted them to make a more of a rock album than an indie record."[14] Chancellor, Lee and the band chose fifteen songs to start working on out of an original pool of 24.[14] Critical to the new direction was Lightbody's development into a more rounded songwriter. "They played us some songs which were not indie. There were a couple of pop songs and then “Run”, which is an enormous emotional rollercoaster of a track," said Chancellor.
During the first couple of weeks in the studio the band found it quite difficult to adapt from an 'indie'-orientated sound to a more commercially viable pop rock sound.[14] Producer Lee offered constructive suggestions about how to both simplify their songs and augment them with other sounds such as strings, and Snow Patrol proved very receptive his advice.[14] According to Chancellor, "Some bands tend to be more defensive about what goes on in the studio. Snow Patrol weren't. They were very much like, 'Yeah, we really want to be successful this time.'"[14]
Guitarist Nathan Connolly joined the band during the recording sessions. He did not contribute much, as the whole album had already been demoed. He commented that he found it easy to start writing and sharing his ideas with the rest of the band, as he had a good relationship with the band before being a member.[15] The album's music incorporates distorted guitar, feedback styles, and the vocals are gritty. The lyrics deal with the themes of relationships and politics. The band's sound on the album was described as being a "cross between the sullen folk of Nick Drake and the more punchy rock moments of Simple Minds and the Pixies.[16] Lightbody has said that him "finally learn[ing] to write a chorus" was the key to the album's success.[17]
The lyrics, all written by Lightbody are about failing relationships and break-ups. They were inspired by his personal experiences. Quinn, his longtime friend, says that he knows who Lightbody sings about in those songs.[18]
A limited 20,000 copies of the album were pressed and released, all eventually selling by word of mouth. The album was later re-issued.[19]
All lyrics written by Gary Lightbody, all music composed by Gary Lightbody, Mark McClelland, Nathan Connolly and Jonny Quinn except where noted[20].
No. | Title | Length |
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1. | "How to Be Dead" | 3:21 |
2. | "Wow" | 4:02 |
3. | "Gleaming Auction" | 2:04 |
4. | "Whatever's Left" | 2:39 |
5. | "Spitting Games" | 3:46 |
6. | "Chocolate" | 3:02 |
7. | "Run" (Iain Archer, Lightbody, McClelland, Connolly, Quinn) | 5:54 |
8. | "Grazed Knees" | 2:55 |
9. | "Ways & Means" (Archer, Lightbody, McClelland, Connolly, Quinn) | 4:47 |
10. | "Tiny Little Fractures" | 2:28 |
11. | "Somewhere a Clock Is Ticking" (Archer, Lightbody, McClelland, Connolly, Quinn) | 4:32 |
12. | "Same" | 3:54 |
No. | Title | Length |
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13. | "We Can Run Away Now They're All Dead and Gone" | 3:15 |
14. | "Half the Fun" | 2:54 |
iTunes bonus tracks | |||||||||
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No. | Title | Length | |||||||
13. | "Post Punk Progression" | 3:23 | |||||||
14. | "Steal" | 2:45 |
DualDisc version bonus material | |||||||||
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No. | Title | Length | |||||||
13. | "Chocolate" (video) | 3:43 | |||||||
14. | "Run" (video) | 4:20 | |||||||
15. | "Spitting Games" (video) | 3:52 | |||||||
16. | "Sessions@AOL: Interview" | 6:14 | |||||||
17. | "Sessions@AOL: Run" | 4:33 |
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Chart | Provider(s) | Peak position |
Sales | Certification |
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ARIA Charts | ARIA | — | 70,000 | Platinum[27] |
Dutch Albums Chart[28] | NVPI | 49 | — | |
Dutch Backcatalogue Top 50[29] | 4 | |||
Europe | IFPI | — | 2,000,000 | 2× Platinum[30] |
Ireland Albums Chart[28] | IRMA | 1 | 90,000 | 6× Platinum[31] |
UK Albums Chart[28] | BPI | 3 | 1,500,000 | 5× Platinum[32] |
Top Heatseekers[33] | Billboard | 1 | 618,000[34] | Gold[35] |
US Billboard 200[28] | Billboard | 91 |
Organization | Level | Date[36] |
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RIAA - USA | Gold | 17 October 2008 |